{"id":10026,"date":"2011-05-16T11:50:08","date_gmt":"2011-05-16T14:50:08","guid":{"rendered":"http:\/\/www.agrund.com\/blogs\/notas\/?p=10026"},"modified":"2011-05-16T11:50:08","modified_gmt":"2011-05-16T14:50:08","slug":"a-arte-uruguaia","status":"publish","type":"post","link":"https:\/\/agrund.com\/index.php\/a-arte-uruguaia\/","title":{"rendered":"A ARTE URUGUAIA"},"content":{"rendered":"<p>A arte no Uruguai mudou principalmente depois da d\u00e9cada de 80 onde o  resultado foi a apari\u00e7\u00e3o de uma gera\u00e7\u00e3o de artistas que se  caracterizavam por obras com rostos fora de \u00f3rbita, homens e animais  &#8220;diferentes&#8221; de sua imagem real, objetos e mundos imagin\u00e1rios.<br \/>\n\u00c9  caracter\u00edstica das obras uruguaias pinceladas violentas vindas de  m\u00faltiplas dire\u00e7\u00f5es, jorrados e manchas veementes, ecletismo, cromatismo,  express\u00e3o da liberdade pessoal, superf\u00edcies texturizadas ou lisas. As  obras do Uruguai demonstram em si que os artistas buscam a livre  express\u00e3o de si mesmos.<\/p>\n<p><a href=\"http:\/\/www.arteuy.com.uy\/\" target=\"_blank\">http:\/\/www.arteuy.com.uy\/<\/a><\/p>\n<div id=\"attachment_10027\" style=\"width: 375px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-10027\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-10027\" src=\"https:\/\/i0.wp.com\/www.agrund.com\/arquivo\/notas\/files\/2011\/05\/Homo-constructore-civilizantis-PEDRO-PERALTA.jpg?resize=365%2C480\" alt=\"\" width=\"365\" height=\"480\" data-recalc-dims=\"1\" \/><p id=\"caption-attachment-10027\" class=\"wp-caption-text\">Homo constructore civilizantis  - PEDRO PERALTA<\/p><\/div>\n<div id=\"attachment_10029\" style=\"width: 610px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-10029\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-10029\" src=\"https:\/\/i0.wp.com\/www.agrund.com\/arquivo\/notas\/files\/2011\/05\/Persecuci\u00f3n-en-el-mar-ANDRES-VIVO.jpg?resize=600%2C515\" alt=\"\" width=\"600\" height=\"515\" data-recalc-dims=\"1\" \/><p id=\"caption-attachment-10029\" class=\"wp-caption-text\">Persecuci\u00f3n en el mar - ANDRES VIVO<\/p><\/div>\n<div id=\"attachment_10028\" style=\"width: 494px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-10028\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-10028\" src=\"https:\/\/i0.wp.com\/www.agrund.com\/arquivo\/notas\/files\/2011\/05\/Parva-SANJO-RODRIGUES.jpg?resize=484%2C600\" alt=\"\" width=\"484\" height=\"600\" data-recalc-dims=\"1\" \/><p id=\"caption-attachment-10028\" class=\"wp-caption-text\">Parva - SANJO RODRIGUES<\/p><\/div>\n<div id=\"attachment_10030\" style=\"width: 493px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-10030\" decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-10030\" src=\"https:\/\/i0.wp.com\/www.agrund.com\/arquivo\/notas\/files\/2011\/05\/Retrato-con-fondo-naranja-JUAN-PEDRO-PAZ.jpg?resize=483%2C480\" alt=\"\" width=\"483\" height=\"480\" data-recalc-dims=\"1\" \/><p id=\"caption-attachment-10030\" class=\"wp-caption-text\">Retrato con fondo naranja - JUAN PEDRO PAZ<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A arte no Uruguai mudou principalmente depois da d\u00e9cada de 80 onde o resultado foi a apari\u00e7\u00e3o de uma gera\u00e7\u00e3o de artistas que se caracterizavam por obras com rostos fora de \u00f3rbita, homens e animais &#8220;diferentes&#8221; de sua imagem real, objetos e mundos imagin\u00e1rios. \u00c9 caracter\u00edstica das obras uruguaias pinceladas violentas vindas de m\u00faltiplas dire\u00e7\u00f5es, [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":10030,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[2],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3Hz0n-2BI","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/agrund.com\/index.php\/wp-json\/wp\/v2\/posts\/10026"}],"collection":[{"href":"https:\/\/agrund.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/agrund.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/agrund.com\/index.php\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/agrund.com\/index.php\/wp-json\/wp\/v2\/comments?post=10026"}],"version-history":[{"count":0,"href":"https:\/\/agrund.com\/index.php\/wp-json\/wp\/v2\/posts\/10026\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/agrund.com\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/agrund.com\/index.php\/wp-json\/wp\/v2\/media?parent=10026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/agrund.com\/index.php\/wp-json\/wp\/v2\/categories?post=10026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/agrund.com\/index.php\/wp-json\/wp\/v2\/tags?post=10026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}